KIJO

Personal Credits:

DIRECTOR, WRITER, EDITOR, COLORIST

Reflection

During production, my technical skills grew significantly, particularly through hands-on experience with various lighting technologies such as Bowens fluorescent lights and different stands. I learned how to leverage these tools effectively to achieve the desired visual effects set by the cinematographer.

As I transitioned into my role as editor, I ventured into the unique challenges of horror film editing. Immersing myself in the genre, I discovered the strategic use of jump cuts to build suspense and deliver cost-effective scares—an approach informed by the tight production schedule. My editorial skills were further refined through a new practice I adopted on set: annotating the best-quality takes in real time. This streamlined media organization, allowing me to focus more on the creative aspects of editing, particularly color grading.

For the first time, I shifted my workflow to DaVinci Resolve for color grading. Its superior control and intuitive layout made it a better fit for my needs compared to Premiere Pro, and I plan to continue using Resolve for future projects.

Me, the producer, cinematographer and actress discussing direction.
The title card of Kijo.

Any questions about the film?

jwrobbos@gmail.com